Two days ago I reviewed David Bowie's new album, Blackstar - that was Saturday and today,
Where the fuck did Monday go? Bowie asks on one of the songs on his new album, which seems to be a seven track meditation on mortality. It's an amazingly good album, but very bleak, black even and no doubt, Bowie, knowing the end was close, designed it to be his last word.
Something happened on the day he died, spirits rose a meter and stepped aside - Blackstar
Look up here, I'm in heaven
I've got scars that can't be seen
I've got drama, can't be stolen
Everybody knows me now - Lazarus, the second track on the new album.
Bowie was, without any doubt, one of the most influential artists of the rock era. He is truly immortal like only a select few - John lennon, Kurt Cobain, Jimi Hendrix, Johnny Cash and Elvis Presely all come to mind and Bowie's name will take rightful place besides these true icons, for each of them have left an imprint on music that has become a part of rock's DNA and not just in musical terms but in their very persona. There was something about these people that made them stand out, made them truly great. And Bowie was definitely a great.
Bowie lived the rock and roll lifestyle to the full - drink, drugs, bisexuality all played a large part in his life. It can be argued that the 1970's was his most creative decade with albums like Low, Ziggy Stardust, Station to Station, Hunky Dory and Diamond Dogs all cementing his position as rock's greatest innovator but albums that came after his golden decade were pretty damn good, in fact for Bowie it seemed as if his golden years never really ended. Scary Monsters and Super Creeps kicked off Bowie's 1980's and although he entered a fallow period following this record, his 1983 album, Let's Dance was his most commercially successful - Let's Dance, to my mind, was too poppy and had none of the brilliance of his 1970's work, but it did yield several hugely successful singles in Let's Dance, China Girl and Modern Love.
In the early 1990's Bowie seemed to turn his back on his solo career and instead became a member of Tin Machine, but although he intended the band to be a democracy it was the Bowie name that dominated. Bowie constantly shifted styles in the following years, scoring many successes but to my mind his next truly great album was 2002's Heathen, which was followed a year later by the even better (to my mind) Reality. One track on the album, Never Get Old just rocks as Bowie screams out, 'never gonna be enough money, never gonna be enough sex, never gonna be enough drugs.Never ever gonna get old.' But you know what - Bowie had gotten old and it suited him.
Then Bowie seemed to fade away and official word was that he had retired, while rumours did the rounds that he was seriously ill, dying even - He surprised fans in 2013 when he released a new album, the Next Day which sounded both fresh and at the same time a rollback to Ziggy era Bowie. His final album, Blackstar came out last weekend, released on Bowie's 69th birthday, and then he once again took fans by surprise by dying after secretly battling cancer for more than 18 months. NO doubt Bowie had planned for the last album to be released on his 69th birthday, all too aware that his own end was imminent. Bowie, it seemed, had died the way he had lived...on his own terms.
Bless you sir...you gave so much and we carry you in our hearts.